Emmy 2010, Neil Patrick Harris vince 2 premi; tra i tecnici domina The Pacific. Bene Modern Family e Mad Men

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Al Nokia Theater di Los Angeles sono stati assegnati la prima metà degli Emmy Awards 2010, quelli riguardanti le categorie tecniche e le guest star degli show televisivi.

Tra gli attori hanno trionfato Neil Patrick Harris per la sua partecipazione alla prima stagione di Glee (l’attore di How I Met Your Mother si è portato a casa anche l’Emmy per la cerimonia dei Tony Awards), Ann-Margret per quella in Low and Order e John Lithgow per la splendida performance nella quarta stagione di Dexter. I migliori cast sono risultati quelli di Modern Family (che ha vinto anche due premi tecnici), Mad Men (due premi totali) e The Pacific (sette riconoscimenti totali, su ventiquattro nomination ottenute). Hanno vinto premi anche Lost, Grey’s Anatomy e 24. A secco, per ora, dopo tre anni, 30 Rock.

Dopo il salto trovate l’elenco completo dei vincitori.

Best Casting of a Drama Series: “Mad Men”

Best Casting of a Movie/Mini: “The Pacific”

Best Casting of a Comedy Series: “Modern Family”

Best Prosthetic Makeup for Series, Movie or Mini: “The Pacific”

Best Makeup for Movie or Mini (Non-Prosthetic): “The Pacific”

Best Makeup for a Single-Camera Series, Movie, Mini or Special (Non-Prosthetic): “Grey’s Anatomy” for episode “Suicide Is Painless”

Best Makeup/ Multi-Camera (Non-Prosthetic): “Saturday Night Live” for Betty White episode

Best Guest Actress in a Comedy: Betty White, “Saturday Night Live”

Best Costumes for Movie/Mini: “Return to Cranford”

Best Costumes for a Series: “The Tudors,” Episode 408

Best Costumes for a Variety Musical Program (juried award): Rodney Munoz for “Jimmy Kimmel Live” Episodes 09-1266, “So You Think You Can Dance’s” Soyon An for Top 12 performance episode and Jeanette Diane Moffat for “Titan Maxium”

Best Hairstyling for Multi-Camera Series or Special: “Dancing With the Stars”

Best Hairstyling for a Single-Camera Series: “Mad Men”

Best Music Direction: “Olympic Games”

Best Choreography: Mia Michaels, “So You Think You Can Dance” (for these routines: “Gravity/Addiction”, “Koop Island Blues” and “One”)

Best Music Score: “24”

Best Music Score for Movie/Mini: “Temple Grandin”

Best Music and Lyrics: “Monk” for “When I’m Gone”

Best Art Direction for Variety or Nonfiction Program: “Academy Awards”

Best Art Direction for Movie/Mini: “The Pacific”

Best Art Direction for a Single-Camera Series: “The Tudors”

Best Picture Editing for Comedy Series: “Modern Family”

Best Picture Editing for Drama Series (Single Camera): “Lost”

Best Picture Editing for Movie/Mini (Single Camera): “Temple Grandin”

Best Short Form Picture Editing: “Late Night with Jimmy Fallon”

Best Picture Editing for a Special: “The 25th Anniversary Rock and Roll Hall of Fame Concert”

Best Picture Editing for Nonfiction Program: “By the People: Election of Barack Obama”

Best Picture Editing for Reality Program: “Intervention”

Best Animated Program: “Disney Prep and Landing”

Best Short Form Animated Program: “Robot Chicken”

Best Individual Achievement in Animation (juried award): “Disney Prep & Landing” (x3), “Family Guy,” “Generator Rex,” “The Day That Everything Changed” (x2), “Heart of Stone,” “The Ricky Gervais Show” and “The Simpsons”

Best Voiceover Performance: Anne Hathaway, “The Simpsons”

Best Stunt Coordination: “Flash Forward”

Best Visual Effects in a Series: “CSI”

Best Visual Effects in a Movie/Mini/Special: “The Pacific, Part 5”

Best Main Titles Design: “Bored to Death”

Best Main Title Theme Music: “Nurse Jackie”

Best Guest Actor in a Drama Series: John Lithgow, “Dexter”

Best Sound Mixing for a Comedy or Drama Series: “Glee”

Best Sound Mixing for a Mini/Movie: “The Pacific, Part 2”

Best Sound Mixing for Half-Hour Series (Tie): “Entourage” and “Modern Family”

Best Sound Mixing for Music Series or Special (tie): “Grammy Awards” and “Rock and Roll Hall of Fame Concert”

Best Sound Mixing for a Nonfiction Program: “Deadliest Catch”

Best Sound Mixing for a Miniseries, Movie or Special: “The Pacific”

Best Sound Editing for Nonfiction Programming: “America the Story of Us”

Best Sound Editing for a Series: “24”

Best Tech Direction for a Series: “Dancing with the Stars”

Best Tech Direction for a Mini/Special: “Rock and Roll Hall of Fame Concert”

Best Cinematography for Nonfiction: “Life”

Best Cinematography for Movie/Mini: “Return to Cranford”

Best Cinematography for One-Hour Show: “CSI”

Best Cinematography for Half-Hour Series: “Weeds”

Best Cinematography for Nonfiction: “Survivor”

Best Lighting: Winter Olympics Opening

Best Guest Actor in a Comedy Series: Neil Patrick Harris, “Glee”

Best Direction for Nonfiction: “My Lai”

Best Writing for Nonfiction: “The National Parks: America’s Best Idea”

Exceptional Merit in Nonfiction Filmmaking: “Nerakhoon (The Betrayal)”

Best Nonfiction Special: “Teddy: In His Own Words”

Best Nonfiction Series: “National Parks: America’s Best Idea”

Best Special Class Program: “Tony Awards” (with Neil Patrick Harris)

Best Creative Achievement Interactive: “Star Wars Uncut”

Best Creative Achievement in Interactive Media- Nonfiction: “The Jimmy Fallon Digital Experience”

Best Creative Achievement in Interactive Media- Fiction: “Star Wars: Uncut”

Best Direction of Variety: “Saturday Night Live” for Betty White episode

Best Variety Writing: “Colbert Report”

Best Variety Special: “Kennedy Center Honors”

Best Children’s Program: “Wizards of Waverly Place: The Movie”

Best Children’s Nonfiction Program: “Nick News With Linda Ellerbee – The Face Of Courage: Kids Living With Cancer”

Best Commercial: “The Man Your Man Could Smell Like • Old Spice Body Wash”

Best Reality Program: “Jamie Oliver’s Food Revolution”

Best Reality Host: Jeff Probst, “Survivor”

Best Guest Actress in a Drama Series: Ann-Margret, “Law & Order: SVU”

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